For this author, creative endeavors have been sorely tested by motherhood. But also transformed, and in ways she wouldn’t have imagined – couldn’t have, without her life “rewritten” as it has been, by her children. So linger here, to read all things weaverly, writerly and motherly.

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Thursday, May 24, 2012

Sandra's Writing Workshop Hop

Link up in my new cyber writing workshop: Open to all those who write or aspire to write fiction, looking to improve their craft and to receive constructive criticism. What I always stress with my students: To succeed as a writer, you must become your own best editor – which means revision. So in following weeks, feel free to repost entries you have revised.

Weekly, I will offer writing prompts, ones to help you focus better on the editorial and control of voice. Remember, these are just offerings.

Our first prompt is:


Write in the close first person point of view.
What does this mean?

John Updike's short story "A &P" is a great example of writing from this close "I" colloquial (spoken) point of view. Here's the first paragraph:

"In walks these three girls in nothing but bathing suits. I'm in the third check-out slot, with my back to the door, so I don't see them until they're over by the bread. The one that caught my eye first was the one in the plaid green two-piece. She was a chunky kid, with a good tan and a sweet broad soft-looking can with those two crescents of white just under it, where the sun never seems to hit, at the top of the backs of her legs. I stood there with my hand on a box of HiHo crackers trying to remember if I rang it up or not. I ring it up again and the customer starts giving me hell. She's one of these cash-register-watchers, a witch about fifty with rouge on her cheekbones and no eyebrows, and I knowit made her day to trip me up. She'd been watching cash registers forty years and probably never seen a mistake before." (You can read the full story here: http://www.tiger-town.com/whatnot/updike/)


Take note of the diction, present tense, how both contribute to an authentic teenage voice.

LINKY RULES:

1). Not too long but not too short – try for a single scene or fully developed moment.

2). Critique at least four other posts – highlight what works, then how might it be reworked? Be kind; if you can't relate, move on to the next link.

3). Reciprocate by critiquing those bloggers who do actually comment thoughtfully.


4). Important: Preface your post with "Sandra's Writing Workshop Hop" linked back to my blog. Yes, to flatter moi, but also to clarify that your post is up for critiques – which should wind up as thoughtful paragraphs in your comment section.


5). Return each Friday for the next prompt, and post by the following Weds. I'm leaving this one up thru 6/1 to be sure we get enough links.

6).I'll bring the cyber coffee and make my rounds of your "manuscripts," if you leave me a comment, somewhere, somehow.


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